{"id":115,"date":"2016-02-08T21:47:12","date_gmt":"2016-02-08T20:47:12","guid":{"rendered":"http:\/\/tangomalo.fr\/?page_id=115"},"modified":"2025-01-15T22:16:19","modified_gmt":"2025-01-15T21:16:19","slug":"ou-danser-le-tango-argentin","status":"publish","type":"page","link":"https:\/\/tangomalo.fr\/index.php\/decouvrir-le-tango-argentin\/ou-danser-le-tango-argentin\/","title":{"rendered":"O\u00f9 danser ?"},"content":{"rendered":"<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">On danse le tango argentin &agrave; trois occasions&nbsp;:<\/span><\/span><\/span>\n<\/p>\n<ul>\n<li style=\"text-align: justify;\">\n\t\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">en bal (on dit plut&ocirc;t en<\/span><\/span><\/span><span style=\"color:#696969;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/m-n\/\"><em>milonga<\/em><\/a><\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">)&nbsp;;<\/span><\/span><\/span>\n\t<\/li>\n<li style=\"text-align: justify;\">\n\t\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">lors d&rsquo;un entra&icirc;nement libre (on dit plut&ocirc;t <em>une<\/em><\/span><\/span><\/span><span style=\"color:#696969;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\"><em>pratique<\/em><\/a><\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">)&nbsp;;<\/span><\/span><\/span>\n\t<\/li>\n<li style=\"text-align: justify;\">\n\t\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">en cours et <em>stage<\/em>.<\/span><\/span><\/span>\n\t<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">En cours ou en <em>stage<\/em>, on fait ce que les<\/span><\/span><\/span><span style=\"color:#696969;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/m-n\/\"><em>maestros<\/em> <\/a><\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">demandent. On y vient avec une tenue confortable afin d&rsquo;&ecirc;tre &agrave; l&rsquo;aise lors&nbsp;des exercices et acqu&eacute;rir techniques et sensations, par la r&eacute;p&eacute;tition. En g&eacute;n&eacute;ral, on s&rsquo;y inscrit en couple, m&ecirc;me si pendant cet apprentissage, les <em>maestros<\/em> demandent &agrave; changer de partenaire. Ainsi, on comprend souvent avec l&rsquo;un ce qu&rsquo;on ne captait pas avec l&#39;autre. Et la parit&eacute; permet &agrave; chacun de travailler son tango sans &ecirc;tre laiss&eacute; pour compte de longues minutes.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">En <em>milonga<\/em> on vient pour le plaisir de danser en couple et en soci&eacute;t&eacute;. On soigne sa tenue et on respecte le <\/span><\/span><\/span><span style=\"color:#696969;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/le-code-du-bal\/\"><em>code du bal<\/em>,<\/a><\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> notamment on fait ce qu&rsquo;on ma&icirc;trise. On peut venir seul car on ne danse pas sans arr&ecirc;t ni &eacute;change avec les autres<\/span><\/span><\/span><span style=\"color:#696969;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/m-n\/\"><em>milongueros<\/em><\/a>.<\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"> Les milongas sont pour la plupart ouvertes &agrave; tous. Et s&rsquo;il n&rsquo;est pas n&eacute;cessaire d&rsquo;y &ecirc;tre invit&eacute;, on se comporte toutefois comme un invit&eacute; quand on n&rsquo;est pas l&rsquo;organisateur. On peut bien s&ucirc;r opter pour une ambiance connue ou pr&eacute;f&eacute;rer l&rsquo;<em>incognito<\/em>.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: center;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:20px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Bienveillance et indulgence sont toujours appr&eacute;ci&eacute;es&nbsp;!<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">En <em>pratique<\/em>, on vient pour s&rsquo;entra&icirc;ner et progresser. La tenue est libre. C&rsquo;est une&nbsp;phase interm&eacute;diaire entre le cours et la milonga. Il est bien d&rsquo;y venir avec un objectif&nbsp;: travailler ceci ou cela, ceci et cela, car on pourra r&eacute;p&eacute;ter plusieurs fois une s&eacute;quence afin d&rsquo;en saisir les subtilit&eacute;s&nbsp;: connexion, &eacute;quilibre, position relative au sein du couple, mouvement relatif, etc. R&eacute;p&eacute;ter sans lasser, bien s&ucirc;r&nbsp;!<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Quand ni cours ni stage ne sont possibles, les plus exp&eacute;riment&eacute;s proposent gracieusement une <a href=\"https:\/\/tangomalo.fr\/index.php\/bienvenue\/activites\/initiation\/\"><em>initiation<\/em> <\/a>aux n&eacute;ophytes qui acqui&egrave;rent ainsi les rudiments du tango et osent leurs premiers pas.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Quelle que soit l&rsquo;occasion (milonga, pratique, stage, initiation) la propret&eacute; corporelle et vestimentaire va de soi.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Des sites sp&eacute;cialis&eacute;s recensent les lieux o&ugrave; danser. Parmi eux, deux vous donneront de pr&eacute;cieuses indications :<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">&#8211; tango-argentin.fr<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">&#8211; tango-ouest.com<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On danse le tango argentin &agrave; trois occasions&nbsp;: en bal (on dit plut&ocirc;t en milonga)&nbsp;; lors d&rsquo;un entra&icirc;nement libre (on dit plut&ocirc;t une pratique)&nbsp;; en cours et stage. En cours ou en stage, on fait ce que les maestros demandent. On y vient avec une tenue confortable afin d&rsquo;&ecirc;tre &agrave; l&rsquo;aise lors&nbsp;des exercices et acqu&eacute;rir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":476,"parent":107,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-115","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":12,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/115\/revisions"}],"predecessor-version":[{"id":2327,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/115\/revisions\/2327"}],"up":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media\/476"}],"wp:attachment":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media?parent=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}