{"id":143,"date":"2016-02-08T22:55:03","date_gmt":"2016-02-08T21:55:03","guid":{"rendered":"http:\/\/tangomalo.fr\/?page_id=143"},"modified":"2025-01-15T18:09:56","modified_gmt":"2025-01-15T17:09:56","slug":"a","status":"publish","type":"page","link":"https:\/\/tangomalo.fr\/index.php\/tango-malo-vous-accompagne\/lexique\/a\/","title":{"rendered":"A"},"content":{"rendered":"<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Abrazo&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Enlacement typique du tango argentin. Les partenaires s&rsquo;enlacent comme lors de retrouvailles apr&egrave;s une longue absence en se tapotant le dos&nbsp;; puis en gardant cette position, la main gauche de l&rsquo;homme et la main droite de la femme s&rsquo;&eacute;cartent des bustes pour se joindre &agrave; hauteur d&rsquo;&eacute;paules. C&#39;est l&#39;<strong>abrazo ferm&eacute;.<\/strong> Dans l&#39;<strong>abrazo ouvert<\/strong>, les danseurs s&#39;&eacute;cartent un peu l&#39;un de l&#39;autre. Dans l&#39;<strong>abrazo &eacute;lastique<\/strong>, on passe de l&#39;abrazo ferm&eacute; &agrave; l&#39;abrazo ouvert, et inversement, selon la figure.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Adorno&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Litt&eacute;ralement, c&rsquo;est une fioriture, c&rsquo;est-&agrave;-dire un mouvement que l&rsquo;homme ou la femme fait de leur pied libre lorsqu&rsquo;il\/elle marque une pose.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Arrastre&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Litt&eacute;ralement, dragage. Cf. <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/b\/\"><em>Barrida<\/em><\/a>.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Abrazo&nbsp; Enlacement typique du tango argentin. Les partenaires s&rsquo;enlacent comme lors de retrouvailles apr&egrave;s une longue absence en se tapotant le dos&nbsp;; puis en gardant cette position, la main gauche de l&rsquo;homme et la main droite de la femme s&rsquo;&eacute;cartent des bustes pour se joindre &agrave; hauteur d&rsquo;&eacute;paules. C&#39;est l&#39;abrazo ferm&eacute;. Dans l&#39;abrazo ouvert, les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2244,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-143","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":7,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/143\/revisions"}],"predecessor-version":[{"id":2261,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/143\/revisions\/2261"}],"up":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/2244"}],"wp:attachment":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media?parent=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}