{"id":150,"date":"2016-02-08T23:06:17","date_gmt":"2016-02-08T22:06:17","guid":{"rendered":"http:\/\/tangomalo.fr\/?page_id=150"},"modified":"2025-01-15T18:17:19","modified_gmt":"2025-01-15T17:17:19","slug":"c","status":"publish","type":"page","link":"https:\/\/tangomalo.fr\/index.php\/tango-malo-vous-accompagne\/lexique\/c\/","title":{"rendered":"C"},"content":{"rendered":"<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Cabeceo&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Signe discret de la t&ecirc;te par lequel un homme invite une femme &agrave; danser. L&rsquo;homme ne se plante jamais ostensiblement devant la femme pour l&rsquo;inviter. Il cherche &agrave; capter son regard (mirada) et lui fait un signe de t&ecirc;te (cabeceo). La femme qui ne souhaite pas cette invitation &eacute;vitera ce regard. Il faut savoir ne pas s&rsquo;en offusquer car on ne peut plaire &agrave; tout le monde.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Connexion&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Lien virtuel entre partenaires, relation corporelle&nbsp;entre eux&nbsp;qui permet l&#39;autonomie de chacun et la&nbsp;solidarit&eacute; du couple pour concourir &agrave; une expression commune de l&#39;harmonie et d&#39;une certaine complicit&eacute; (ne pas confondre tango et judo).<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Cortina&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">C&rsquo;est un court moment musical (moins d&rsquo;une minute) entre deux <\/span><\/span><\/span><span style=\"color:#008080;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><em>tandas<\/em><\/span><\/span><\/span><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">. C&rsquo;est le moment pour ceux qui viennent de danser de quitter la piste pour laisser la place &agrave; d&rsquo;autres par souci de convivialit&eacute;. C&rsquo;est donc un moment pendant lequel on ne danse pas, et surtout pas une autre danse.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Cabeceo&nbsp; Signe discret de la t&ecirc;te par lequel un homme invite une femme &agrave; danser. L&rsquo;homme ne se plante jamais ostensiblement devant la femme pour l&rsquo;inviter. Il cherche &agrave; capter son regard (mirada) et lui fait un signe de t&ecirc;te (cabeceo). La femme qui ne souhaite pas cette invitation &eacute;vitera ce regard. Il faut savoir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2244,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-150","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":8,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/150\/revisions"}],"predecessor-version":[{"id":2264,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/150\/revisions\/2264"}],"up":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/2244"}],"wp:attachment":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media?parent=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}