{"id":152,"date":"2016-02-08T23:10:24","date_gmt":"2016-02-08T22:10:24","guid":{"rendered":"http:\/\/tangomalo.fr\/?page_id=152"},"modified":"2025-01-15T16:56:09","modified_gmt":"2025-01-15T15:56:09","slug":"e-f-g-h","status":"publish","type":"page","link":"https:\/\/tangomalo.fr\/index.php\/tango-malo-vous-accompagne\/lexique\/e-f-g-h\/","title":{"rendered":"E-F-G-H"},"content":{"rendered":"<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Enrosque <\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Mouvement de l&rsquo;homme qui pivote sur l&rsquo;un de ses pieds pour amener le second crois&eacute; devant le premier, souvent avant de relancer l&rsquo;un de ses pieds en <\/span><\/span><\/span><a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/i-j-k-l\/\"><span style=\"color:#008080;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><em>l&aacute;piz<\/em><\/span><\/span><\/span><\/a><span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">. Mais il y a des variantes.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Gancho&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Crochet que la jambe de la femme fait sur l&rsquo;une des cuisses de l&rsquo;homme (et non entre les deux cuisses&nbsp;!) lorsque celui-ci, par jeu, glisse un pied entre les jambes de la femme, l&rsquo;emp&ecirc;chant de poursuivre sa progression.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Huit&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#333333;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">voir <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\">ocho adelente<\/a> (huit avant) <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\">ocho de atr&aacute;s <\/a>(huit arri&egrave;re) ou <a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\">ocho cortado <\/a>(huit coup&eacute;).<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Enrosque Mouvement de l&rsquo;homme qui pivote sur l&rsquo;un de ses pieds pour amener le second crois&eacute; devant le premier, souvent avant de relancer l&rsquo;un de ses pieds en l&aacute;piz. Mais il y a des variantes. &nbsp;Gancho&nbsp; Crochet que la jambe de la femme fait sur l&rsquo;une des cuisses de l&rsquo;homme (et non entre les deux [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2244,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-152","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":5,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/152\/revisions"}],"predecessor-version":[{"id":310,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/152\/revisions\/310"}],"up":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/2244"}],"wp:attachment":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media?parent=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}