{"id":158,"date":"2016-02-08T23:25:06","date_gmt":"2016-02-08T22:25:06","guid":{"rendered":"http:\/\/tangomalo.fr\/?page_id=158"},"modified":"2025-01-15T16:56:49","modified_gmt":"2025-01-15T15:56:49","slug":"m-n","status":"publish","type":"page","link":"https:\/\/tangomalo.fr\/index.php\/tango-malo-vous-accompagne\/lexique\/m-n\/","title":{"rendered":"M-N"},"content":{"rendered":"<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Maestro&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Professeur de tango argentin ma&icirc;trisant son art et b&eacute;n&eacute;ficiant d&rsquo;une bonne r&eacute;putation quant &agrave; sa technique et sa p&eacute;dagogie. En g&eacute;n&eacute;ral, il est argentin ou bien il a s&eacute;journ&eacute; longtemps en Argentine. Souvent en couple, son\/sa partenaire est aussi un maestro, ou jouit d&rsquo;une aisance fond&eacute;e sur sa ma&icirc;trise de la danse (classique par exemple) son exp&eacute;rience du tango argentin et sur son &eacute;lection comme partenaire du maestro.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Milonga <\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">A la fois, le bal de tango argentin et un style musical de cette danse, les deux autres &eacute;tant le tango &agrave; proprement parler et la valse.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Milonguero&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Danseur \/ danseuse de tango argentin qui le pratique r&eacute;guli&egrave;rement. Ce qui diff&egrave;re du <\/span><\/span><\/span><span style=\"color:#008080;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><em>tanguero<\/em><\/span><\/span><\/span><span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">, amateur de cette danse et de cette musique.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Molinete <\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">S&eacute;rie de quatre pas caract&eacute;ristiques de la femme qui tourne autour de l&rsquo;homme avec un pas avant, un pas de c&ocirc;t&eacute;, un pas arri&egrave;re, un pas de c&ocirc;t&eacute;, <em>ad libitum<\/em>. Vu la forme r&eacute;p&eacute;titive de cet encha&icirc;nement, la femme peut aussi commencer par le pas&nbsp;arri&egrave;re ou par le pas de c&ocirc;t&eacute;.<\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#FFFF00;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"background-color:#B22222;\">&nbsp;Mordida&nbsp;<\/span><\/span><\/span><\/span>\n<\/p>\n<p style=\"text-align: justify;\">\n\t<span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Mouvement par lequel l&rsquo;homme fait d&rsquo;abord une <\/span><\/span><\/span><a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\"><span style=\"color:#008080;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><em>parada<\/em><\/span><\/span><\/span><\/a><span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><a href=\"https:\/\/tangomalo.fr\/index.php\/le-monde-du-tango-argentin\/lexique\/o-p\/\"> <\/a>avec un premier pied pour arr&ecirc;ter un pied de la femme, et prendre ce pied en sandwich avec son second pied. La femme peut prendre le r&ocirc;le de l&rsquo;homme pour prendre en sandwich un pied de l&rsquo;homme. Synonyme de <\/span><\/span><\/span><span style=\"color:#008080;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\"><em>sanguchito<\/em><\/span><\/span><\/span><span style=\"color:#444444;\"><span style=\"font-size:16px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Maestro&nbsp; Professeur de tango argentin ma&icirc;trisant son art et b&eacute;n&eacute;ficiant d&rsquo;une bonne r&eacute;putation quant &agrave; sa technique et sa p&eacute;dagogie. En g&eacute;n&eacute;ral, il est argentin ou bien il a s&eacute;journ&eacute; longtemps en Argentine. Souvent en couple, son\/sa partenaire est aussi un maestro, ou jouit d&rsquo;une aisance fond&eacute;e sur sa ma&icirc;trise de la danse (classique par [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2244,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-158","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":2,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/158\/revisions"}],"predecessor-version":[{"id":311,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/158\/revisions\/311"}],"up":[{"embeddable":true,"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/pages\/2244"}],"wp:attachment":[{"href":"https:\/\/tangomalo.fr\/index.php\/wp-json\/wp\/v2\/media?parent=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}